Come that November, Weilerstein had put her cello away, and she was taking long walks on the beaches near her home in San Diego instead of practicing. Visita nuestra pgina web en espaol. In general, Weilerstein's approach is deliberate and detailed, more reminiscent of Mstislav Rostropovich than of the members of her own family with whom she plays chamber music. Its a balance we have to strive forto protect what the composer intended, yet keep the music alive so it doesnt become a museum piece, or simply an archive. Everyone brings their perspective and insight into what the composer actually meant. I live with his music all the time, I love it deeply, Shaw said, adding that the second book of The Well-Tempered Clavier has been her soundtrack for the past year. This website uses cookies to improve your experience. Labels are generally very, very unhelpful. Montreal (Quebec) H2X 0S1, Customer Service Hours hide caption. The goal is always to know these scores better, to truly live with the great masterworkslike the Bach Suites, for example. The Prelude of the Cello Suite No. WebAlisa Weilerstein. There Will Be Blood. There will be limited program notes in advance, little to guide listeners except their ears and eyes through a collagelike narrative arc assembled from musical fragments. She has been married to Rafael Payare since 2013. This is what its about for me., A Cellist Breaks Music Into Fragments, Then Connects Them, https://www.nytimes.com/2023/03/24/arts/music/alisa-weilerstein-fragments-cellist.html. So to return to it was actually really wonderful, because I found all sorts of new things in it. Business. I always hated it when people would try to label me in any way. WebAbout Alisa Weilerstein. She started playing the cello at age four. All Rights Reserved. Her father, Donald, was the longtime first violinist with the fine Cleveland Quartet, and her mother, Vivian Hornik Weilerstein, is an equally well-regarded pianist. Fragments is an attempt to fix a problem, Weilerstein said of relying too much on our old models of presenting, especially when it comes to new music.. The range of interpretive choices facing performers of Bach's Suites for solo cello, BWV 1007-1012, is vast. My parents were very conscious to give me as close to a normal childhood as possible, so I had friends, played outside, went to normal school. You have to have a willingness to collaborate. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a MacArthur genius grant Fellowship in 2011. December 4, 2012 The celebrated young American cellist walks us through her recording of this "devastating" concerto written just after the end of World War I. Going to hear a concert and not looking at whats on the program and not knowing what comes next those have been some of my deepest and most revealing listening experiences, Shaw said. Alisa Weilerstein is one of the foremost cellists of our time. FC: You spent a lot of time at Aspen as a very young girl. Music is about communication. You try to treat the score as something thats living and breathing, and therefore, malleable. What does the idea of creative freedom mean when youre a classical musician? William Struhs May 27, 2011 A consummate artist even before she was out of her teens, 29-year-old Alisa Weilerstein has already been granted extraordinary opportunities, from How do you nourish your creative life when youre not working? Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a MacArthur genius grant Fellowship in 2011. I want to keep fostering relationships with composers, help expand our repertoire, and create a cornerstones of twenty-first century repertoire. This is important for any musician. Reisers set stays constant, a deconstructed theater arrayed so that it evokes soloists constant struggles to create a room of ones own as they travel the worlds halls, Pulitzer said, and at the same time reawakens the spaces for the people who are familiar with them. Each composer has a specific lighting color, to give a sense of which fragments combine to make wholes. And I played in master classes for Zara Nelsovanand for Lynn Harrell. Her discography also includes chart-topping albums and the winner ofBBC Musics Recording of the Year award. Having scoured the internet to survey the new-music scene, and consulted with past collaborators including Osvaldo Golijov and Matthias Pintscher, Weilerstein invited 28 composers to participate. However, even with a very specific composer like that, there is tremendous room for interpretation. She collaborated with conductor Daniel Barenboim, whose late wife, Jacqueline du Pre, was the standard-bearer for this work. It is mandatory to procure user consent prior to running these cookies on your website. You made your professional debut at the age of 13 and were often referred to as a child prodigy. Her Sarabandes are extraordinary, very slow (a lot of the high time total is racked up here) without being emotionally overwrought: they are deeply meditative. Without real love and doggedness and tenacity, its still nearly impossible. She asked that the new pieces be about 10 minutes long, and that they come in two or three fragments that she could intersperse with other scores without violating the meaning of the music. Bach was not available for consultation, but she is subjecting his suites to the same treatment. I also have a young daughter, who is 11 months old. Im still going to always try to improve as an artist and to be a more insightful interpreter. A multisensory production for solo cello, the six-chapter series sees her weave together the 36 movements of Bachs solo cello suites with 27 new commissions. .st0{fill:#000;}. Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. Weilerstein did set some rules. Free to write what he wanted, Moya drew on the personal ties that he has to Weilerstein through the conductor Rafael Payare, her husband. hide caption. The 27 who agreed including Tania Len, Joan Tower, Carlos Simon and Daniel Kidane make up a roster that is remarkably diverse demographically and stylistically, but almost all of them asked if they should write with specific reference to Bach, Weilerstein recalled. Something I return to every so often is Kunderas The Book of Laughter and Forgetting. I got management early on. Its very hard to write anything for solo cello and not have some subconscious relationship to Bach.. Literally. Do it for no other reason than that you love it and cant imagine doing anything else. This site uses cookies to offer you the best possible experience. I have played it countless times, but there was actually a long period of time where I was not playing it, maybe five or six months. But he had this remarkable - actually both my parents did, but especially my father because I worked more intensely with him between the time I was 9 and 15. Born in New York to a violinist father and pianist mother, she grew up and eventually formed the Weilerstein Trio with her parents. She left the choice up to them. Weilerstein was born in Rochester, New York, but was raised in Cleveland, graduating from Cleveland Heights High School. For me, it didnt matter whether I was playing in front of people or not. With her multi-season new project, FRAGMENTS, Weilerstein aims to rethink the concert experience and broaden the tent for classical music. The trio currently resides at the New England Conservatory in Boston. Her brother is the violinist and conductor Joshua Weilerstein (born in 1987). She is married to Venezuelan conductor Rafael Payare. [5] Weilerstein has received a number of honors. I was never subjected to abuse or was made to practice 10 hours a day while locked up. But this project is intended to reimagine what a cello recital can be, to challenge some of the conventions that Weilerstein thinks might inhibit a listeners immediate response to the music, and to add layers of theatricality to the arguably staid traditions of the concert hall, in an acceptance that a musician is, after all, performing on a stage. The Elgar was the signature piece of Barenboim's late wife, cellist Jacqueline du Pre. If Weilersteins response was a common one to a common crisis, the result of her reflections shines with uncommon ambition, so much so that it is hard to think of many soloists of a similar stature who would dare to bring anything like it to the stage. fill: #000; Cellist Alisa Weilerstein Weilerstein was born in Rochester, New York, on April 14, 1982. Moyas fragments depict an early-morning brew, an after-lunch pick-me-up and a sludgy cup needed for staying up late. What do you think of as being the most important creative resources for doing what you do? The work was co-commissioned with the Detroit Symphony; the Cleveland Orchestra, where Weilerstein performed it last fall; and the National Symphony, where she reprised it in May. He was Dad (laughs). Its not about expressing the performers personality, but that inevitably happens. This website uses cookies to improve your experience when you browse the website. hide caption. Alisa Weilerstein always knew that she wanted to be a cellist. Cello Suite No. Climate & Environment. Since Alisa Weilerstein was just 6, the three have performed together around the globe as the Weilerstein Trio. Alisa Weilersteins latest project is a series of staged solo recitals that weave Bachs cello suites with newly commissioned works. If there's such a thing as cello mojo, Alisa Weilerstein has it. It certainly made things easier to not have that fear, to not have to unload that fear or deal with it. At least I dont.. Cellist Alisa Weilerstein. You can also deactivate these cookies. She plays the suites in the sequence 1, 3, 6, 2, 4, 5, making the virtuosic and difficult Suite No. April 19, 2017 - Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. Most classical musicians regard his work as sacred in terms of really abiding by exactly what he wrote, in terms of dynamic markings and tempi and that sort of thing. As There are myriad reasons, of course, Weilerstein said, exploring the apparent divergence in the fields, but there is one very fundamental thing, which is, you walk into an exhibition, you see the painting or you see the work of art before anything, and it can hit you right where it needs to hit and then you can find out all the context around it. Meet Fragments, a project whose first installment of six Weilerstein will perform at Zankel Hall on April 1. How did you feel about that at the time? At this point in your career, how do you define success? When youre playing with someone new, do differences in interpretation ever cause problems? Diagnosed with type 1 diabetes at the age of nine, Weilerstein is a staunch advocate for the T1D community. WebMini Bio (1) Alisa Weilerstein is known for If I Stay (2014), P.O.V. FC: Was it hard playing at home for your dad - this world-famous violinist - when you were just learning how to play the cello? Weilerstein and Jason Yoder ( marimba) perform Camille Saint-Sans 's "Le cygne" (The Swan) from The Carnival of the Animals at the White House Evening of Classical Music (November 2009) Problems playing these files? See media help. Alisa Weilerstein (born April 14, 1982) is an American classical cellist. She was named a 2011 MacArthur Fellow. [1] Lucio Lecce/courtesy of the artist An authority on Bachs music for unaccompanied cello, Weilerstein recently released a best-selling recording of his solo suites on the Pentatone label, streamed them in her innovative #36DaysOfBach project, and deconstructed his beloved G-major prelude in a Vox.com video, viewed almost 1.5 million times. Elina will Today her career is truly global in scope, taking her to the most prestigious international venues for solo recitals, chamber concerts and concerto collaborations with all the preeminent conductors and orchestras worldwide. How many of us do that, where we look at the bio, were making assumptions about gender, race, nationality, compositional precedent, who where their teachers, and when were they born?, The aim, she added, is to strip as much of that presumptive meaning as possible away, so that listeners can follow Weilersteins attempts to create new meaning in her musical quilts, and dare to embark on this journey of not knowing, and allow it to be OK.. Anyone can read what you share. hide caption. This is always the subject of debatewhat is the role of the performer? Weilerstein at the Fragments premiere in Toronto. Thats the beauty of it. In general, Weilerstein's approach is deliberate and detailed, more reminiscent of Mstislav Rostropovich than of the members of her own family with whom she plays chamber music. So thats how I always looked at it. Her repertory is wide but has been marked by a focus on contemporary music. Alex Irvin / Courtesy Aspen Music Festival and School. Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo Monday to Friday: noon to 5 p.m. The work is better as a result. She is an ardent champion of contemporary music, and has premiered and championed important new works by composers including Pascal Dusapin, Osvaldo Golijov and Matthias Pintscher. Law Firm Website Design by Law Promo, What Clients Say About Working With Gretchen Kenney. After premiering the first two chapters in Toronto in early 2023, with subsequent performances at New Yorks Carnegie Hall and beyond, she looks forward to touring all six chapters in seasons to come. Concert evenings: noon to 8 p.m. Then you come back to it with a new and fresh perspective. Violinist Livia Sohn, pianist Inon Barnatan, cellist Alisa Weilerstein and violist Barry Shiffman (not pictured) dig into the the Gypsy-influenced Piano Quartet, Op. So you budget accordingly. like. Theres a lot of things that classical music does uniquely well, and its important to preserve those things, Weilerstein said. Law Office of Gretchen J. Kenney is dedicated to offering families and individuals in the Bay Area of San Francisco, California, excellent legal services in the areas of Elder Law, Estate Planning, including Long-Term Care Planning, Probate/Trust Administration, and Conservatorships from our San Mateo, California office. For cellist Alisa Weilerstein as for all of us life in 2021 involves a lot of rescheduling. In that sense, theres no substitute for time away. Entertainment & Arts. Jamie Jung Not only did she make her Carnegie Hall debut at age 15 and perform for President Obama in 2009, last year she was also chosen by conductor Daniel Barenboim to perform the Elgar Cello Concerto with the Berlin Philharmonic. As a subscriber, you have 10 gift articles to give each month. September 23, 2011 A "genius" cellist, more protesting letters from London, Iraqi musicians go to Germany, and dreams of "comfort sounds" series: All the news that's fit to link. November 6, 2012 Hear an excerpt of MacArthur "genius" cellist Alisa Weilerstein's excellent pairing of the Elgar Cello Concerto recorded with Daniel Barenboim, whose late wife Jacqueline Du Pre's name was synonymous with this piece and the cello concerto by Elliott Carter, who died yesterday at 103. September 20, 2011 Hear the young cellist discuss her new award and watch her play at the NPR offices. In this interview from the Harris Hall stage in Aspen, Performance Today's Fred Child talks with renowned cellist Alisa Weilerstein about the Aspen experience, and what the school and festival means to her. Do it for no other reason than that you love it and cant imagine doing anything else. Do you even remember the first time you were here? Video by John Francis September 15, 2010 The young cellist plays Bach with elegance, and takes listeners through the back streets of Buenos Aires with a gripping performance of Omaramor. WebAlisa Weilerstein is one of the foremost cellists of our time. What did she as a violin teacher have to offer you? To everyones credit, I think, everyone is wrestling with this issue, Weilerstein said in a recent interview from Toronto. This means people can now refer to you as a genius in an official capacity. Alisa Weilerstein & conductor Daniel Barenboim - Elgar & Carter Cello Concertos, Alisa Weilerstein: Master Class (esk filharmonie / Czech Philharmonic), Alisa Weilerstein and Inon Barnatan - Rachmaninovs Sonata for Cello and Piano in G Minor, Alisa Weilerstein plays Bachs Cello Suite No.3, Gigue. to a secular Jewish family. When the cellist Alisa Weilerstein found herself cooped up with her family at the start of the pandemic, her first instinct, like that of so many classical musicians, was to find some way-any way-to communicate. An ardent proponent of contemporary music, she has also premiered and championed important new works by composers including Pascal Dusapin, Osvaldo Golijov and Matthias Pintscher. Cellist Alisa Weilerstein plays Bach and Golijov at an NPR Tiny Desk Concert. Since Alisa Weilerstein was just 6, the three have performed together around the globe as the Weilerstein Trio. Also, you cant be afraid of performing. But disabling some of these cookies may have an effect on your browsing experience. Even when I was a very, sort of, unruly teenager, I still realized what he was telling me was good, so I took it (laughs). She will be there, playing solo. Shes collaborated with many artists over the years and performed at well-known venues and schools all over the world, as well as being a solo cellist. Cellist Alisa Weilerstein has appeared with leading orchestras all over the U.S. and Europe and has played chamber music with her parents, both well-known performers, in the Weilerstein Trio. For me, the greatest honor of the MacArthur Grant was that its something given not only to musicians, but also to scientists and writers. Luckily, I didnt ever have that fear. She has evidently thought hard about how contemporary composers can be given a fairer chance to break through to audiences, especially to those people for whom contemporary art, say, is an easier ask. Its familiar, theres such a child-like purity to it, says Weilerstein. But Weilerstein thinks of it not as a new approach to Bach, she said, rather a celebration of the really disparate voices in contemporary classical music, with Bach as a common reference point. AW: No, because I was three months old. I was 14 when I went with my manager. Cecilia BartoliI love virtually everything she does. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a 1 888 842-9951. She doesnt give the impression that making music involves will at all. To shed the Rorschach inclination towards finding meaning in the program before hearing the music was a really important piece of the puzzle, Pulitzer said. hide caption. 1600 Saint-Urbain Street, Lifestyle. Here's a space to search our entire website. For details on how we use cookies, see our. When she finally forced herself to play again, she found herself staring out of the window, wondering what her field might look like when, or if, performers returned to the stage. Its filled with really, really good information. Theres also something beautiful and important about presenting different composers side by side, and behind a curtain, so that youre not focusing on their name, or whether or not theyre Bach.. Its about communicating ideas which are inexpressible in words. He was the muse for Shostakovich and Prokofiev, and he premiered over a thousand works over the course of his lifetime. Its a constant challenge, too. December 22, 2012 The albums that sum up our year span genres and borders. California. Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composers wishes, she inhabits a piece fully and turns it to her own ends, marvels the New York Times. Gerardo Antonio Sanchez Torres/courtesy of the artist, Alisa Weilerstein Plays Elgar: Exploring Music With An Intense Past, Young Cellist With An Old Soul Plays Elgar, Elliott Carter, Alisa Weilerstein: Playing Bach With The Fishes, Around The Classical Internet: September 23, 2011, Cellist Alisa Weilerstein Among MacArthur Grant Winners, Alisa Weilerstein: From Bach To The Backstreets Of Buenos Aires, Band Of Gypsies: Haydn And Brahms At Spoleto Festival, Alisa Weilerstein: The Art Of Chopin's Cello. Is it always about reaching for some higher goal? FC: So you were just an infant-in-arms for a while, and you started playing cello when you were four. Youre playing these well-known, exacting pieces of music. Hes a great inspiration for me in that sense. Weilerstein was born in Rochester, New York. I know many people who say, I got inspired by such-and-such conductor when my school took me on a field trip to hear a concert, or such-and-such musician came to my school, and then I knew I loved classical music. The goal is not necessarily that theyll all become musicians, but just that this music will be part of their lives. The perspective gives you something. She joined the artists who found solace on social media, streaming a movement of Bachs cello suites each day, for 36 days in a row. Thats a great advantage of playing these real masterworks, because theyre so rich in detail that you can always find something new, no matter how many times youve played them. The newly renovated Dock Street Theater in Charleston, S.C., plays host to Gypsy-inspired sounds. One book I would recommend to anyone whos interested in music would be Alex Rosss The Rest Is Noise. clip-path:url(#SVGID_2_); This category only includes cookies that ensures basic functionalities and security features of the website. 1900 S. Norfolk St., Suite 350, San Mateo, CA 94403 March 24, 2023 When the cellist Alisa Weilerstein found herself cooped up with her family at the start of the pandemic, her first instinct, like that of so many classical Human beings are far more complex. Some did, she said, and some very much did not.. Concert matines: opens at 9 a.m. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Yes, that is weird. Daniel Day-Lewis tour de force. Weilerstein has achieved an impressive set, one that stands apart from the hundreds of others available, yet gives the listener the feeling that she might have done it differently the next day. WEILERSTEIN HAS NEVER had the reputation of being a new-music specialist, but she has given her fair share of premieres, and few of her colleagues on the international circuit can list anything so bold as her recording of Elliott Carters Cello Concerto on their discographies. Weilerstein wanted for the first thing that listeners hear to be the Prelude from the first Suite. Alisa Weilerstein (cello) Recorded: 2012-10-14 Recording Venue: Teldex Studio, Berlin 1. Group Sales Request View Seating Chart (PDF) Nobody would say otherwise, but I try not to pay too much attention to that. From Astro to Wadada Leo Smith, Fiona Apple to Frank Ocean, here are 50 albums that made 2012 great. There is no end point. She will perform a Bach suite in its entirety, and she will play it with her typical, heartfelt passion. She knew exactly what to do and what not to do with a young person. WebAlisa Weilerstein is known for If I Stay (2014), P.O.V. Other career milestones include a performance at the White House for President and Mrs. Obama. Housing & Homelessness. 25 by Brahms on June 11 at the Spoleto Festival USA in Charlestown, S.C. Her discography also includes chart-topping albums and the winner of BBC Musics Recording of the Year award, while other career milestones include a performance at the White House for President and Mrs. Obama. Right now all I really want to do is give.. She and the cello seem simply to be one and the same, agrees the Los Angeles Times. I read a lot of books. Jamie Jung But if both of us are open to different orientations or interpretations, that can yield a really interesting interpretation and performance. Alisa Weilersteins new project, Fragments, comes to Zankel Hall on April 1. Cellist Alisa Weilerstein has announced on her Facebook page that she and her husband, the conductor Rafael Payare, are expecting their first child together. Allegro molto vivace 11:54 Golijov: Omaramor For Solo Cello 8:14 Alisa Weilerstein (cello) Recorded: 2012-10-14 Recording Venue: Teldex Studio, Berlin So that was a very important thing. I am traveling almost all the time. Food. Learn all about Alisa Weilerstein on AllMusic. I never liked that word. I count myself incredibly lucky in that respector maybe I was just very stupid, I dont knowthat I wasnt afraid to be in front of people. The staging does offer some hints about the music, as if to hold the listeners hand. June 16, 2010 Musicians at the 2010 Spoleto Festival U.S.A. bring out the "Gypsy" in Haydn and Brahms. Saturday and Sunday: from 2 hours before the concert starts until 30 minutes after the concert starts For anyone in the classical music world, being able to expose other people to these great works is always something you hope to do. It felt a little bit all right, it felt a lot risky to give her a piece about coffee like that, Moya said. She was just an incredibly encouraging presence. Those were the kind of stories you heard. Its a balance we have to strive forto protect what the composer intended, yet keep the music alive so it doesnt become a museum piece, or simply an archive. WebExplore Alisa Weilerstein's discography including top tracks, albums, and reviews. Alisa Weilerstein is an American cellist who started playing the cello at a young age. There is no end point. Already an authority on Bachs music for unaccompanied cello, in spring 2020 Weilerstein released a best-selling recording of his solo suites on the Pentatone label, streamed them in her innovative #36DaysOfBach project, and deconstructed his beloved G-major prelude in a Vox.com video, viewed more than two million times. Pentatone's sound is a bit too close but catches the intensity and the controlled spontaneity of these readings. I had a real life. As a child prodigy, Ma performed for presidents Dwight D. Eisenhower and John F. Kennedy when he was only seven years old. She lives with her husband, Venezuelan conductor Rafael Payare, and their young child. Saturday: 10 a.m. to 4 p.m. Since making her professional and Carnegie Hall debuts in her early teens, she has been in Diagnosed with type 1 diabetes at nine years old, Weilerstein is a staunch advocate for the T1D community. 2023 Los Angeles Philharmonic Association.

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